depicted,thereics,

quail,andloon.thereweredeerinsnowanddeerinhighgrass.

thereeadoterflies,andarattlesnakesowell

cauflagedthatacasualvieissit.theree,

lookingjatheeyeixoffearandhat

henearlybackedoff.

thisoffseeingrachelswork.hehadalwaysfound

itstrongtothepointofbeingintidating.hersheusedoils,

ethingsorealand

direood,ahereysteryto

ental

ncesuredthevulnerabilityofthewild.

taketherattleshereghtionbelo

thatsaidthedaedthihantofadeintothe

athingufearedharo

itself.

poufftocreatehjustthestrokeofabrushorpalette

knife.heuldneverdoanythinglikethat,didnthavethevisionor

theskill.sheoretalehanhe.

hesuspectedthatthatecture.true,he

hadbeenonthattraeetingrachel.buttheydhadsu

ehehadtoyedhtheideaof

spendingalifetipaintinghher.hehadnt,ostensiblybecause

oheeededtoeaney.deepdohough,heknew

thathisohers.

still,theyhadhadfun.

hethroughherpiecesagain.elevenpaintingsweredoneandready

tofra.seven,includiers,forthe

baore.fieldsketchesand

photographsothebahpiece.

hisbestguesssheofinishthe

seven.

andthefrangtheldingsackedinlongstripsbythe

baseboard.shehadpipleandnatural

thatitpete.pushingit,sheulddo

thefranginseveraldays.

twouldhavebeena

ch,iftheartista.

hehadplaellbenlythatatthegallerysund

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