【】othinartandineverydaylife,seeinderoustothe

extre,andsoofthesterpiecesofepaintinginthedresdengalleryare

definitelyode

eseartistshedarenotsayso,butthereareal

artistsitthesensuinofallartandkeofit.

buttheeselibidoisthere,onlydressedinadifferentexpression.ensdress

isnotdesigorevealthebodyofthehunforuttosilatenature.a

aysee,throughtheuseofhissensuousigination,afelenude

forntherisingseahedraperiesofthegoddessof

risdelledafterthegracefulrhythfthesforheriionally

droopingshoulders.hereyessuggesttheaprit,hereyebrooon,the

lightofhereyesthesilentnlake,herteethareliketheseedsof

pogranate,herlikethehespring

baooshootsandherbouagaihecreston.su

expressionsarebynoansabsentitheofeseart,

aeofeseensdressinparticular,justifythetakingofsuch

expressionsseriously.foransbody,asbody,theesehavenoappreciation.

allyirayalofthe

hunforandevenanartistlikeingperiod,fausforhis

paintingsoffelelife,shoalenudeforerychlike

apotato.feansneck

orofaansback.thetsashihpishin,aothehandynastybut

reallybelongingtothengperiod,gaveafairlygoodaale

nudebody,shoassuch,butitisalsttheonly

exception.thisisooftheseclusionofen.

asatteroffaatter.ensstuswill

ge,andheslongastheyareen,anden

aslongasnthiiful.thegefrohevictorian

boyishfigureoftheearlytiethturyand

ontotheeorestrikingthanthedifference

betensdress.aslois

alen.aionalpageantofensdressoughttokethis

pointsuffitlyclear.onlyadecadeagoeseenparadedthestreetsin

trousersandtodaytheyarefloatinginlonggoen

intheareahaseverypossibilityof

ingintofashion.theonlyeffehgesgiveisthatitengendersinna

broadnd.

oreiortaheioensseclusionandthe

idealofanhood.thatidealistheidealofa”helpfulother,”a

本章尚未读完,请点击下一页继续阅读---->>>