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第71节(1/2)

【】departed.”thedifference

betereesayitbeautifullyandothersdo

not,andtheyorebeautifullythanotherssurvive.

thelyriakesitpossibleforustardliteratureasa

refleanssoul,andtardanationsliteratureastherefleans

spiritinthatnation.foriflifeybeparedtecity,ansay

beregardedasthehecity.inreadinga

nshisgarretainaviewof

lifeastheountainpeaksliningthehorizon,

andthealleye,butthatgarretviewof

thecityisindividualistidpeculiarlyhisoionsliteraturewe

arethereforebuttryingtogetagliseoflifeasthebestndsofthatnatio

andastheyexpressitthroughtheiroediu

iinguageandthought

theaediuortheeselanguage,haslargely

deterhepeentofeseliterature.byparisonhthe

europeanlanguagesitispossibletotrahofthepeculiaritiesofese

thoughtandliteratureareduesilytotheirpossessionofasocallednosyllabic

language.thefactthattheesespokeinsyllableslikegyg>gwas

appallinginnsequeerheterofthe

eseing,andtheteroftheeseingbroughtaboutthentinuity

oftheliteraryheritageandthereforeeveninflueheisfese

thought.itentofaliterarylanguagequite

distinadeleaingdifficultand

eddirectly

iofuliaritiesofeseliterarystyle.

everynationhasdevelopedaostsuitabletoitslanguage.europedidnot

developaingonpictorialprinausethephoitureof

indogernicparativeprofusionofnsonantsand

infinitelyvariablebinations,requiredananalyticalphabet,ahe

representationofthese

ofideographsuldbeusedalone,andithecaseofese,

hepictorialprinciplebythephoiciplebeforeit

uldhaveanyiortantdevelopnt.theseelentarypictographshenused

inbinationspurelyfortheirphoicvalue,andactuallyhsoftheover

fortythousandtersinesediariesarebuiltontheprincipleofphoic

bination,haboutthirteenhundredideographsasphois.ha

nosyllabiguage,suchastheese,fourhundre

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