【】os.itbeganhliang

haoieenniies,butlyaggravatedoraeleratedafter1917.

aniaforaywellbe

regardedasanaggravation,butthestyleintroducedissntotheese

languagethatitotlastthissituationisespeciallybadintranslationsn

erousastheyareunintelligibletotheaverageese

reader.

actually,suitiesareperpetratedbytranslatorsfoootherreasonthantheir

insuffitsteryofthefnlanguage,totranslatewordby

edeparishas

actuallybeentranslatedas”parisianaginealsothegrotesquenessof

translatinglongenglishrelativeclausesfolloheirasintoese,

htherelativeclausesexistinesegedintoalongstringof

difiersextendingoverseverallinesbeforeiningtotheodify.

ents,liketheintroduoftheloose

nstru.ainclause

shantgo,ifitrains,itisheprosesochre

suppleandflexible.

erivalanynationallanguage

inpoodeenglishproseisdistinguishedbyahealthy

xtureofnelyenglishlanguage,and

oreexaeaning,takenfroheronic

heritage.atenlanguagehnsiderssuchexpressionsas”anosefor

nehebhedriftoflanguage,””ridingoideof

suess”and”lloydgeesflirtationshtheiveparty”asgood,

standardenglishstreinavirileliterarydiuafalseliterarystandardh

the,tide,etdenforcessubstituteslike

appreulations,te,statoncelosethis

virility.thetpos,eandabstragreatriessin

theeselanguage.itsbasitureishroughout,likethe

anglosaxoeraryheritageofthealliteraturehasleftbehind

avoeaning,othe

roureofthesetentsinthe

handsofatrueliterarycraftsnthereergeaproseofthegreatestpower

ay.

viii.poetry

itseefairtosaythatpoetryhasenteredreintothefabrifourlifethanithas

intheandisnardedusedindifferencesquite

generaliioned,allesescholarsare

poets,orpretendtobe,andfiftypertofthesofascholarsllectedworks

usuallynsistsofpoetry.theeseierialexanations,eversiang

period,havealpositionofpoeaasof

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