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第81节(1/3)

【】id

thepoetseledelierialandhoithhiso

agloicvitalityieiqueofese

poetryandesepaintingreallyohatesepoetsarepainters,

andpainters,poets

thestrikingthingaboutaginationanditskinshipin

teiqueostevidentinthehandlingofperspective.herethe

analogybetostplete.letusbeginh

perspective.thathelinesoflipo701762

abovethensfacearisethehills;

besidethehorsesheadergetheclouds,

antravellingonhorsebaa

highuntainpaththeeanifirstsight,willbe

found,ontsuseoftheigination,togiveusapictureasapainterwould

paintitonhiseobjethe

fround”thensface55and”thehorseshead”tosetoffthedistantview.

entirelyapartfrohepoetiountains,one

realizesthattheserybythepoetasifitingona

flatsurface.thereaderhensee,asheactuallyseesinpaintingsorsnapshots,

thathilltopsseeorisefrohensfaewherein

thedistanalinebrokenbythehorseshead.thisclearlypossibleif

thepoetonhorsebadthecloudslyingonalohe

distanaginehielfonhorsebaahigh

untainpathahesaperspectiveasthepoetdid.

inthishroughthistrickofperspective,thesepenpicturesgainabold

reliefiossibleethods.itotbesaidthattheesepoetswere

nsciousofthetheoryofthisteique,buthadinanycasefoueique

itself.hundredsofexalesghtbecited.hthisteiqueofperspective,wang

estdescriptivepoet,said:

iainsanightofrain,

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