bathinggirlshouldbedetorepreseeer.”todaynyese

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

saatsphereandthesafeelingfoature,butirayalofhunfor,

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

...

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

niyiinligiveusapindesolation,htheuntryastretch

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ursetherearealsonyeersy

notraalefest,

forofnature.ifthereisanyapprealehunforssuch,wesee

lingistsherodenlethetrees,

sayingthattheroosrentedfuished,andknotodoha

singularteristifostsingularntrastbethineseand

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

arestilluoreheelvestothefaivilizationrequires

”art,”andtheonesadethen”cr

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

theisdesubservienttothe

recreateforusapicture,”surchargedoodsandfeelings,evergingand

theygenerallybanishtheaionbycallihings

dofnature.thebestofelandscapes,likerots3giveusthe

gongpilesofksandbrushwood

te,beforeoneleaeventhefirstessentialsofpainting.of

anbody,espealebody,seetotobethest

eartisthedifferehesourceofinspiratioselfforthe

notthebeautiesoftheirbodiesbutthelihehehis

nature.heshouldousthebeofthatnionofnature,and

felefigurecalled”ion.”thereisstilltodayalargeproportionof

ight,likeyiijen,giveusalandscapeof

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

eastandthefeleforortheindasbeingre

englishandarisocietyuresintheirflatsby

hespiritofthethingsasitisinstilledintohissoul,and

ihegeneralistnessoftheatsphere,or,like

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

ther”abovetheirntelpiedutelatea

andthisgeneralrhythalldetailstenandonlythetralinood

vienneseporeoftheirfriendshavepreseheorchrists,

eetagain