andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

notthebeautiesoftheirbodiesbutthelihehehis

gongpilesofksandbrushwood

eetagain

felefigurecalled”ion.”thereisstilltodayalargeproportionof

niyiinligiveusapindesolation,htheuntryastretch

theisdesubservienttothe

lingistsherodenlethetrees,

eastandthefeleforortheindasbeingre

eartisthedifferehesourceofinspiratioselfforthe

dofnature.thebestofelandscapes,likerots3giveusthe

singularteristifostsingularntrastbethineseand

hespiritofthethingsasitisinstilledintohissoul,and

ursetherearealsonyeersy

saatsphereandthesafeelingfoature,butirayalofhunfor,

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

”art,”andtheonesadethen”cr

ther”abovetheirntelpiedutelatea

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

sayingthattheroosrentedfuished,andknotodoha

nature.heshouldousthebeofthatnionofnature,and

bathinggirlshouldbedetorepreseeer.”todaynyese

andthisgeneralrhythalldetailstenandonlythetralinood

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notraalefest,

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

vienneseporeoftheirfriendshavepreseheorchrists,

...

theygenerallybanishtheaionbycallihings

forofnature.ifthereisanyapprealehunforssuch,wesee

englishandarisocietyuresintheirflatsby

ight,likeyiijen,giveusalandscapeof

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

te,beforeoneleaeventhefirstessentialsofpainting.of

ihegeneralistnessoftheatsphere,or,like

recreateforusapicture,”surchargedoodsandfeelings,evergingand

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

arestilluoreheelvestothefaivilizationrequires

anbody,espealebody,seetotobethest