reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

felefigurecalled”ion.”thereisstilltodayalargeproportionof

singularteristifostsingularntrastbethineseand

eartisthedifferehesourceofinspiratioselfforthe

ight,likeyiijen,giveusalandscapeof

ther”abovetheirntelpiedutelatea

englishandarisocietyuresintheirflatsby

notraalefest,

sayingthattheroosrentedfuished,andknotodoha

hespiritofthethingsasitisinstilledintohissoul,and

ihegeneralistnessoftheatsphere,or,like

te,beforeoneleaeventhefirstessentialsofpainting.of

niyiinligiveusapindesolation,htheuntryastretch

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

dofnature.thebestofelandscapes,likerots3giveusthe

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

vienneseporeoftheirfriendshavepreseheorchrists,

eetagain

notthebeautiesoftheirbodiesbutthelihehehis

...

theisdesubservienttothe

forofnature.ifthereisanyapprealehunforssuch,wesee

saatsphereandthesafeelingfoature,butirayalofhunfor,

anbody,espealebody,seetotobethest

arestilluoreheelvestothefaivilizationrequires

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ursetherearealsonyeersy

lingistsherodenlethetrees,

theygenerallybanishtheaionbycallihings

”art,”andtheonesadethen”cr

andthisgeneralrhythalldetailstenandonlythetralinood

gongpilesofksandbrushwood

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

bathinggirlshouldbedetorepreseeer.”todaynyese

eastandthefeleforortheindasbeingre

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

recreateforusapicture,”surchargedoodsandfeelings,evergingand

nature.heshouldousthebeofthatnionofnature,and