calligraphyinainline,ay

proportionatelysllparedhtheroofitself.

severallesrunningnorthandsouthfroheouterstfrontgate,rightacrossthe

thepillarsandthecurvedliheroof.theroofitselfntainsantrastbetween

abc

eerorsthrohealhilltohis

”nchtlruo,”

theinofthefausroofliraalligraphy

ters,likegheftp

dsthederativepointofehasis

axisinsteseterstheyplanningofpeiping,oldpeking,one

based,initsessence,uponthebinationorntrastofthestraightverticallinesof

behorizontal,verticalorslanting,ustntrastithcurvedorsoftbrokenlines

ofthestbeautifulcitiesoftheoaninvisibleaxisof

lines,ularrhythestontrastostclearly

thestraightliheridgeandthesagginglinebelooourtrainingin

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andfauscauligraphist.

ratherthanthepillarsortheendoinfroerbeing

eveninthedesignofagroupofbuildings,thereisaprincipleofaxis>asthereisan

plesofesetelesand

aroundit.theridgeoftheroofisfurtherrebrokenbyonlyafeive

stroke,theotherstrokesit.

threeierof

tives.onlybythentrastoftheselinesarethestraightlihepillarsandthe

axisisiddle”org,andinother

seeninthepleorpalaansionis

thetopoftheting,signifyingthe”roof.”hesagintheddleandthesgivenbyeseroofs.

perhapsreiortantthantheprincipleofastraightaxisistheuseofcurves,wavy

vingobtainedsupportinthisin