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sketchesofthreeorfourhundredhebarestbeggarsoutlineoffacts.

definition.itisanabsoluteproofthatthelanguagewasdead,

,e,too,areunkle.heisquietandtalks

suustforevergropeang

apoa14080b.c.,thegreateststerof

upposeonepelledtoreadonlyproseofthistype,

orlessashethought,andtin&prieuxstyleofing.butafterthat

proseedhinese

exactlyonehundredandtodel:

eseprose,stillkeptahhthelanguageofhisday,anddaredto

languagestillretainedavirilityuntchedbyanylatererintheal

nnerasifheother.oo

fheretheterizationisthevaguest,thefactsarethe

thehat.

facts,hereasonersofnovelshadtoresorttotheveacular

eoverforadrink.healakesuphisndtobe

essays,

librariesndbookstoresaboundthesealingthelargestlivisioninese

iss,ohefeelingofbeinglostiof

goodprosebepossible.thetersenessandrefihe

inrporateerscholarsas”vulgar,”andhis

biographyofssliilythreehundredayfivetenina

aboveall,goodprosestbefaliar,chattyandalittlepersonal,andtheese

self,in

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froacket

happyastetabouthisfood.heloves,beingpoor,otalways

oftenusehielfandindicateshisaitioninlife,andfetsallabout

literarylanguagehadetoybeseeninthefollorwuliufive

literaryartnsistedinnpersonalfront.

language.illore

provideit.hisfriendsaiveskisaskhio

verylittle.hedoesnotoneyorfa.helikestoreadbooks,hout

onehouchaog,

iiest,andthenarrationthebarest梬hato

language.theanded

ed.

ellectual

tryingtoknoeaning.esapassage,heisso

thisleadstoareiortantionoftheiialofese

drunk.afterhegetsdruires,andself.his

liatisdaintyprose,butnotgoodprose,agtoour

thetruefactis,theliterarylanguageirelyunsuitabletodiscussoarrate

...

offlaxclothintatters,andhisricebopty.buthedoesnotcare.he

givinganiraitofhisloverlihsiang,andthenfindsthathoudidhis

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