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sketchesofthreeorfourhundredhebarestbeggarsoutlineoffacts.
definition.itisanabsoluteproofthatthelanguagewasdead,
,e,too,areunkle.heisquietandtalks
suustforevergropeang
apoa14080b.c.,thegreateststerof
upposeonepelledtoreadonlyproseofthistype,
orlessashethought,andtin&prieuxstyleofing.butafterthat
proseedhinese
exactlyonehundredandtodel:
eseprose,stillkeptahhthelanguageofhisday,anddaredto
languagestillretainedavirilityuntchedbyanylatererintheal
nnerasifheother.oo
fheretheterizationisthevaguest,thefactsarethe
thehat.
facts,hereasonersofnovelshadtoresorttotheveacular
eoverforadrink.healakesuphisndtobe
essays,
librariesndbookstoresaboundthesealingthelargestlivisioninese
iss,ohefeelingofbeinglostiof
goodprosebepossible.thetersenessandrefihe
inrporateerscholarsas”vulgar,”andhis
biographyofssliilythreehundredayfivetenina
aboveall,goodprosestbefaliar,chattyandalittlepersonal,andtheese
self,in
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froacket
happyastetabouthisfood.heloves,beingpoor,otalways
oftenusehielfandindicateshisaitioninlife,andfetsallabout
literarylanguagehadetoybeseeninthefollorwuliufive
literaryartnsistedinnpersonalfront.
language.illore
provideit.hisfriendsaiveskisaskhio
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onehouchaog,
iiest,andthenarrationthebarest梬hato
language.theanded
ed.
ellectual
tryingtoknoeaning.esapassage,heisso
thisleadstoareiortantionoftheiialofese
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liatisdaintyprose,butnotgoodprose,agtoour
thetruefactis,theliterarylanguageirelyunsuitabletodiscussoarrate
...
offlaxclothintatters,andhisricebopty.buthedoesnotcare.he
givinganiraitofhisloverlihsiang,andthenfindsthathoudidhis