繁体
【】roi,his
flirtatioussideglandtheefake
sexappealhtheeseaudiendisatthe
baendouspopularityina.anartist,this
appealisuniversal,foritspeaksthelanguageofgestures,eationalas
siodeseheayappropriatelyleatheaba
shearerhatterton.oberidingon
horsebackorpaddlingaboat,hisagisherbetteorworse
thanthatoffiveyearolddaughterboo
stickbethighs.
ifas,hatthe
plot,assiestter,thedialogue
uniortant,ances,
veryoftenpopularseletheoperas,ratherthaireplays,aregiven,
inthesahatoperaticselesarerenderedinusiceits.
theaudienohestoriesbyheart,andthetersareregheir
ionalsksandstusratherthanbythesofthedialogue.thefirst
yiiandras,asiantasters,nsisted,hafew
exceptions,offouracts.thesongsineatoadefioftunesina
usiaing
piestheyareleftout,hedialoguepartwaslargely
spokeeore.
inthesoas”thesongsineateperson,
althoughnyaitation
probablyduetothesas”the
litationsofdratihlessrigid;thereore
freedoandfrohesedrasing
dynastyberofactsrrespondingihtothe
”sesuldbe
usedinsongsofthesaact,severalsingersuldsingiionorinunisonin
thesaadthetuheelvesthoseusedihe
dras,beingofthetypeodulationslesyllables.
ofsuchdras,theberhsihsiangandautuinthehanpalace
hankungperialneghaoghiin,
ybetakenasrepresentativeofthenorthedras,oonpavilion
paiyuehfingandtheroakenas
representativeofthesouthedras.theber,althoughnsistingof
tatieoffiveplays,hfour
aeach.
thereisonediffereeopera.hethe
operaistheprivilegeoftheclasses,veryoftenattendedforitssocialglitterandoutof
an”operaplex”ratherthanforrealsiiation,sofarastheocts
ofthe”goldenhorseshoe95
本章尚未读完,请点击下一页继续阅读---->>>