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第85节(2/2)

dodiatelyaftertheoasioheatrehereforeintheopenandthe

greatchukoliangireetsofoldpeking.

esetheatresurroundings.

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

butsohoselvestoit,asthearishave

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

usedasaansofattragattention;theyalheplaysanduldbe

arealfoodof

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

st,oobe

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

fropurelyliterarypointofvieatiatypeofpoetry

inofthedruandgongsandthefalsettolybeuoodinthelightof

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

falsettooflesingers,.this

ofthepeople.igineapeopleassesknoireetsandatall

hairandcladintatters,singingtheairsofkunggdagthepartofthe

heardaleaovies.when

hsiaotiao}tofindsoofovesre

it.tiedand

theesetheatreofthebettertypeinayardliketheelizabethare.

or”operania,”aenseeaniafthelohdishevelled

”civilized”odetheatrebuildings.

unterevideheapparentforteristoleratesqueaks

frohesaxophoneandothersounddnessfrohejazzbandany

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esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

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...

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

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