oveditribed:

likesbeforeazephyrgiddy.

atitotheexigeheoperaticairs,but

hersoftlikeasoutheditty,

usedinsokindularbinationinenglishpoetry.thishasbeendoneh

itisiingtonoteherethatrhythsuoodinesedraticpoetryand

uedsideyhe

asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering

ratherthareoreencipatedinthedras.

astringofnotessandgolden.

literature,hebeautyofinging,theheroine:

inant,

alreadyprovidedforatreularlengths,obeyihfthespoken

intoherblackvelvettelesresigning.

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thelineswas

ofpassagesintheberasterpieceofthefirstorderinese

broaderaabletotheveacularlanguageihe

throughitsiensepopularitythetheatrehasachievedaplathenational

shedhavespoken

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sidelining,

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experintbysoqualifiedenglishpoets.

sohelplesslytender,

folloanner:

eselifeverynearlyr

greatsuoredulatedrhythbr>

sogracefullyslender,

likeastatueolten;

nooveshersteps,ing,pretty,

beforeshespoke,shehadreddened,

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liberationoftreachievedinthesungtguinatinginsongsaheseairs,

thereisnoreasoaltresofthreesshouldnotbe

gng.

brooonreing,