brushountains,aohavelosthielfin

elevation.itisstraspiritualelevationalhphysicalelevationon

baptisfagreatpainter:

nicateittothoseayalter,buthisspiritof

aeseartistinaricaofalltakeforhissubjectthegrandyonor

peoplefondofhorsebackridingalontonegoesupon

sofeseart.nsequently,itsteristiot

...

eseart,ustbeginandthesourceofartistispiration.

allprobleofartareprobleofrhythheryingtouand

thispla,andlifealanaltitudeoffivethousa.

intohispainting.then,chastenedinspirit,heesbaitylifeandtriesto

stying,aseeountainclouds”entwine

theretreattotheuntainsans,therefore,alsoasearoralelevation,

supreonyhnature.

naturesrhyth,itisstillpossibletotraphasis.ithasalready

there,obliviousofeofthepainter,andthatisissurchargedh

seeainsisasearchfrandeurinnature.

isthespiritualbaptisnnature.sodidlijihhua15651635describediespiritual

itisthisspiritofountainairshanlincki

alloisuniversalandthattheesedonotoonopolyof

thoseaegrandaspeountainpeaksorrocks,hosewhohave

travelsagainaizeshielfiainair.

sendly,esepaintingsarealuntaintopsandspecializein

theuntainsaroundbanff.andhaviosuchagrandsurrounding,itis

theartistsurveystheexpansionofthespirit,andthisspiritgoes

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untaincaleins,andorexhaustedthisspirit,he

hissurroundings,inannerpuzzlingtoothers.sotishegoestotheplace

alingedalittlehthereclusespassionforleisureandsolitude,h

gesitsshadeandlourbetoingandnightorbetleardayanda

iablethatheshouldobtainaionofthespiritasal

huangtzuboos,trees,

odsandfeelings,evergingaself.

ains

iopailovetheandhisspiritstne.he

stknoiliarustkree

ii.esecalligraphy

beenpoi,inthediscussionontheidealofanhood

ostiortantreasonfortravel.thusfroisgodlikeheight

theroportantthanld,objectiveobservations

horsebaustbetrue.