ina,thatthe

inineforsinspirationforthehighestideal

ofperfectrhythelyhappy

iingadragonfly,afrog,agrasshopperorapie

observation,itseethereforethatthespiritoforesensual,re

passionate,refulloftheartistsoore

oreinharnyayexpressthis

differencebyusizslanguageaadsayingthateseartis

apollonianart,ousdifferenceis

possibleonlythroughadifferentuandingandappreassuch.

sofartarsofrhythnhasnotplayedthedonantrok

hasalings.curiouslyenough,thiscultof

rhythrathedevelopntofesecalligraphyasanart.

thestrangepleasurederivedfrotelatingapictureofbarrenrocksdoneina

ferokesandhungontheobelookedatdayinanddayout梩hisstrange

pleasureeuandabletothehehasuoodthe

artistientalistheplaalligraphyin

andrhythractthataysayithas

providedtheesepeoplehabasicaesthetiditisthroughcalligraphythat

the.itistherefore

iossibletotalkaboutesearthoutuandingesecalligraphyand

itsartistispiration.thereis,forinstaoypeofesearture,

ple,onyandforbr>

isnotdirectlyderivedfroertaintypesofesecalligraphy.

thepositionofesecalligraphyioryoftheisthustruly

unique.ooresubtleandre

respohanthepen,calligraphyhasbeeedtothetruelevelofanartona

parhesepainting.theesearefullyahisheyregard

paintinganding

alstanindividualh.should

therebeaquestionastoheansedlybe

infavourofcalligraphy.ithasthusbeeanartcultivatedepassion

aion,dignifiedbyasas

paintingitself.itsstandardsarejustasexag,anditsstershavereachedheights

asunattaihenrunofnasthestersinotherlihegreat

esepainters,liketungchigandgfu,areusuallygreat

engfu1inese

painters,saidofhisoing:”rocksarelikethefoipostyleofingh

hollohestrokes,areesarelikethestyleofingh

relativelyevenahodo

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