field,everyvarietyofrhythasbeeeduponaypeofstructure

basesofesenotionsofbeauty.

byderivingitsartistinature,espeals梩

cultivationandappreciationofpureposition,

aesthetiisticipleaybe

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

fpaintii

hasbeenexplored.theientpossible,andtheeseters,heoretically

asthisarthasahistoryofhousandyears,andaseveryertriedto

stfruitfulofresultsoodandapplied.asstated,ese

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

...

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

inanythioftheeseartistid.

such,asapartfrotent.apaintinghastonveya,butaten

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

realisethatthesee.”

hebranflohafehespringing

andforandithasdoneso

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

distinguishhielfbyaructure,therefore,incalligraphy,if

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therefore,theairedevotiontopurefors

sotiseveyinslouessularity.thustheartofcalligraphy

position,standsiiontopaintingaspuretheticsstandsiionto

providesasofaesthetiiationayhe

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

fundantalstrokesofing.ifthereisohis,hewill

certaintypes,suchastheyularityorofaforevertoppling

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

itseetothatand

fotten,andthelinesandforareappreselves.inthis

strusustsolveforhielf.thus,through

sihofthehorse,