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第95节(2/2)

inanythioftheeseartistid.

sihofthehorse,

sotiseveyinslouessularity.thustheartofcalligraphy

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

fundantalstrokesofing.ifthereisohis,hewill

providesasofaesthetiiationayhe

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

distinguishhielfbyaructure,therefore,incalligraphy,if

basesofesenotionsofbeauty.

asthisarthasahistoryofhousandyears,andaseveryertriedto

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fotten,andthelinesandforareappreselves.inthis

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

certaintypes,suchastheyularityorofaforevertoppling

hebranflohafehespringing

position,standsiiontopaintingaspuretheticsstandsiionto

such,asapartfrotent.apaintinghastonveya,butaten

andforandithasdoneso

itseetothatand

stfruitfulofresultsoodandapplied.asstated,ese

field,everyvarietyofrhythasbeeeduponaypeofstructure

fpaintii

hasbeenexplored.theientpossible,andtheeseters,heoretically

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

aesthetiisticipleaybe

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

cultivationandappreciationofpureposition,

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

realisethatthesee.”

therefore,theairedevotiontopurefors

...

strusustsolveforhielf.thus,through

byderivingitsartistinature,espeals梩

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

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