in

sizeandposition.thisprinalledshift,or”posture,”sabeauty

ofntutheresultisthat,inthehighestexalesofthisart,wehave

strusinglyunbalandyetsohoaintainthe

balanayofrelystatic

proportionsisthediffereanstandingorsittingina

restingpositionandthesnapshotofansick,orofafootball

playersenttheballsthroughtheair.justasthepictureofalady

tossingherheadisresuggestiveofventthanonehherheadonastraight

level,sotheesetersteopstiltedtoonesidearepreferred

artistietricalhead.thebestexalesofthistypeof

struenglung,ers

givetheeffectofbeingalainin

balahisstyleistobeseenintheingsofyu

ylijen,chairnofthentrolyuan,positionverylargelyto

hisrenoofhighorder.

deartisinsearsandexperintingonnesofstructureand

pattes.ithasnotfou.ithassupressiontoesostapparentteristicistheeffort,notto

sootheusbuttojaronoursenses.forthisreason,astudyofesecalligraphyand

itsanistisofthenaturalworldin

thelightofthisanistiicvitality,givesproseofgreat

possibilities.theprofuseusehtlines,planes,arikiher

atdifferentangleslyexciteus,buttheyeverbealivehbeauty.these

plaraightlinesandtohaveexhaustedthede

artistsiy.aiforsoeartistto

strikeapiohbypractisingenglishcalligraphyyears,

andthen,ifheistalentedandreallyuandstheanisticiple,

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