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第97节(2/3)

hewillbe

boldnessandfreedofthebrushpresstheonlookerinanunfettable

epoetry.thatdifference

iii.painting

spirit.

abletoessquare,inlinesandfortrulyhyofthe

nner.sohohepicturebeforeushasundergoneaninnerprocessof

artisthasinterferedaterialrealityaedittousonlyasitappearsto

givingusonlyapletelysatisfying

atsphereallitso

nn.itoachievea

poetry,painting,arture,porcelainandhousederations,aialunityof

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

ishardtograspandexpress.ithasaosphere,visibleine

naofanart.

sandstructuresofesearture,weshallbe

enoofterial,rkedbythenyblankspaces,anideaofposition

thepointsofntrastarationeasiertotradhatthe

thefullsignifialligraphyasthebasisofeseaestheticswillbe

painting,butessentiallydifferentandachievedbydifferentans.itshoain

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

transfortioniistsnd,shoofitsirrelevasdisharnies,and

seeninastudyofesepaintingandarture.inthelinesandpositionof

odeepainting,and

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

abletheprinesecalligraphy.thesebasic

esepainting,thefloure,isdistinguishedbyaspiritandan

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