enoofterial,rkedbythenyblankspaces,anideaofposition

transfortioniistsnd,shoofitsirrelevasdisharnies,and

boldnessandfreedofthebrushpresstheonlookerinanunfettable

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

abletoessquare,inlinesandfortrulyhyofthe

seeninastudyofesepaintingandarture.inthelinesandpositionof

abletheprinesecalligraphy.thesebasic

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

sandstructuresofesearture,weshallbe

iii.painting

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

givingusonlyapletelysatisfying

thefullsignifialligraphyasthebasisofeseaestheticswillbe

odeepainting,and

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nn.itoachievea

nner.sohohepicturebeforeushasundergoneaninnerprocessof

epoetry.thatdifference

spirit.

poetry,painting,arture,porcelainandhousederations,aialunityof

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

thepointsofntrastarationeasiertotradhatthe

esepainting,thefloure,isdistinguishedbyaspiritandan

painting,butessentiallydifferentandachievedbydifferentans.itshoain

naofanart.

ishardtograspandexpress.ithasaosphere,visibleine

hewillbe

artisthasinterferedaterialrealityaedittousonlyasitappearsto

atsphereallitso