ideasofrhythforndatspheregivethedifferentlinesofeseart,like

enoofterial,rkedbythenyblankspaces,anideaofposition

boldnessandfreedofthebrushpresstheonlookerinanunfettable

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

nn.itoachievea

ishardtograspandexpress.ithasaosphere,visibleine

epoetry.thatdifference

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

iii.painting

transfortioniistsnd,shoofitsirrelevasdisharnies,and

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spirit.

poetry,painting,arture,porcelainandhousederations,aialunityof

painting,butessentiallydifferentandachievedbydifferentans.itshoain

seeninastudyofesepaintingandarture.inthelinesandpositionof

odeepainting,and

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

thepointsofntrastarationeasiertotradhatthe

givingusonlyapletelysatisfying

sandstructuresofesearture,weshallbe

abletheprinesecalligraphy.thesebasic

abletoessquare,inlinesandfortrulyhyofthe

nner.sohohepicturebeforeushasundergoneaninnerprocessof

esepainting,thefloure,isdistinguishedbyaspiritandan

naofanart.

hewillbe

thefullsignifialligraphyasthebasisofeseaestheticswillbe

atsphereallitso

artisthasinterferedaterialrealityaedittousonlyasitappearsto