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第98节

painting,andofallpainting,is;shallbedoneh

thelinesorstrokesaspaintisputchevasorinkonthesilkitisapurely

te,theproblef”touch.”butnoartistescapeit,aouch

usediheeicallyusedto

traofitsown.sooneror

later,tiredofit.

itisthesarebellio,arebellioneupin

ahzuc.700760,

”ahorse,”hypl.onju,anteoraryese

paintkr,hhoicstrokesand

stekyof

thethk

rultlvatlonoffaiiualhyandstillrein

akintoitinteique.

andasteryofthebrush,distinguishedbyitsboldnessandfreedoinsteadofncealing

theliheartistglorifiedit.eprinciple

inesearture.thusinplaceofthedeadandservile

linesofkukaichih346407oreorlesseven

asifdravnbyasteelpen,artedthesohid

petallinecurlingandnstantlyginginh,dueto

thenaturalrhythfastrokelaidhthesensitivebrush.

infact,itzusstrokesthathispupilg

hsucreatedtheextrelysstyleofentwiningropesin

calligraphy.ochieh,699759furtherdeveloped

anddifiedthestrokeinpainting,sotisabolishingthe

traditionalthodof”tragoutlines,”andnsequentlyis

generallycreditedhhavingfouhe”southeschool.”

itsfarreagnsequencesweshallsoonsee.

thesendprobles:hoheartistspersonalitybeprojectedintothework

aeofanart,transilitude,

yetonyorrealitythisrevoltagainstrephysical

ayisalsobackofallthe,aybedescribed

asseartheterialrealityandforthodsofindigthe

artistsoerevoltthehistoryofeseartinthe

eighthturyhtheiredordissatisfiedhphotographic

reproduaterialreality.

hereeoldproblehoheartistiheobjectshhisown

etionsorreashad



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