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painting,andofallpainting,is;shallbedoneh
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te,theproblef”touch.”butnoartistescapeit,aouch
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later,tiredofit.
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ahzuc.700760,
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linesofkukaichih346407oreorlesseven
asifdravnbyasteelpen,artedthesohid
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thenaturalrhythfastrokelaidhthesensitivebrush.
infact,itzusstrokesthathispupilg
hsucreatedtheextrelysstyleofentwiningropesin
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anddifiedthestrokeinpainting,sotisabolishingthe
traditionalthodof”tragoutlines,”andnsequentlyis
generallycreditedhhavingfouhe”southeschool.”
itsfarreagnsequencesweshallsoonsee.
thesendprobles:hoheartistspersonalitybeprojectedintothework
aeofanart,transilitude,
yetonyorrealitythisrevoltagainstrephysical
ayisalsobackofallthe,aybedescribed
asseartheterialrealityandforthodsofindigthe
artistsoerevoltthehistoryofeseartinthe
eighthturyhtheiredordissatisfiedhphotographic
reproduaterialreality.
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etionsorreashad
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