hollohetreofthestrokes,aheenthe

notinteopyreality,butrelytopleaseself”

fugitivespiriti.doicarehertheyareexactoot,herthe

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

...

ngfuhielf.further,theartistiportantcalligraphic

said:”anticbrush,

dehesati”rontid”thespiritoftherecluse.”itisthisquality

thisdesireisuandableuholarsspiritwas

hunspirittogetathedru

ntouroftheterisurical,butispagisanunfivable

oneshherefore,ineseinkdraanfiguresand

ngelsewas

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

lishu,andthearript.”oneseesalsointheholloherocksa

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principle,forproperspagistheveryfirstlaatedbypao

typeofsalledfeipo,any

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

oflightheartedandinguisheslipospoetry.thisyi

oneevenobiletongue,dippedininkandligthepaperashedra\vs

thisplayingodatsforacertainqualityofesepainting,calledyi.the

sicstrokes.iinglihepine

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

treeohesaprincipleoftingusedineseings.tungchig

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

shenpo.ifthespaybesaed,as

saidaboutpaintihateverylineshouldtallalong,andhihsaid

landscapesofthesouthesertaininfluenalligraphy.first,ohe

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

aybeusedto

ybeseeninyiiyujensatterineseingifthe

treesthehesealter.forthisisasecretleftusbyghao

andnizesfurtherinthesileunityofdesignofesepaintingsth

saidthat”,theyshouldapplythelaherunningscript,the

offeurecraftsnship.

along,paintingillis,thesreation.