【】e

ntrollingrhythfthebrush,calledfyi.tiansthe”ion9iists

nd.tokeaesedrato”eoutaion5ksiehyi.before

osthebrushonthepaper,theartisthasadefinitenind;then

ashedraingoutthatihcertainstrokes;he

brooksnointerferenceofirrelevancies,andaddsathereto

preservetheanicrhythandheessentialionin

hisnd,heleavesoff.forthatreasourelivesbecausetheion

behinditlives.itislikereadingagoodepigrathetheflavour

reins.theeseartistsexpressthisteiquebysayingthat”theion

precedesthebrush,andhebrushhasdosheionstill

reins,fortheesearensuatestersinsuggestionand”leavingoffat

therightnt.”theylikegoodteaandoliveshgivea”backflavour,”

hiereatingtheoliveordrinkingthe

goodtea.thetotaleffeptyandalive,”earevitalityupledyofdesign.

esepivesesepaintingitsspirit.asstatedalreadyinthediscussionon

poetry,itreoftenhappensinathanithepoetisapainter,and

thepainter,poet.poetryandpaintingefrohesahunspirit,anditis

naturalthatthespiritandiee.wehaveseen

hoinginfluencedpoetryinperspeausethepoetseyeisthepainters

eye.buthepaintersspiritisthepoetsspirit,hohepainter

shoeiressiohodofsuggestion,thesaehasisonan

indefisphere,andthesapaiionhnature,h

oodauresquentare

oftenthesa,aistndiry

also,halittlecultivation,expresstheotherinpainting.

first,issthequestionofperspective,eers,by

explainingonavery

highuntaintheperspectiveoainsoftheahigh

altitude,say,fronaeroplaneflyingsixthousaabovetheearth,stbe

differentfroheperspectiveontheordinarylevel.thehigherthevantagepoint,the

less,ofurse,thelineso.thisisalsovisiblyinfluencedby

theoblongshapeofesescrolls,the

froundatthebottofthescrolltothelihehorizonatthetopofthescroll.

likethedeepaiheeseartistsoportray,ybut

theiropressionsofreality,andhehod.thetrouble

pressionistsisthattheyarealittletoocleverandalittletoological.

ha

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