wasaline:

birdrestingo,andanotheroneabouttoperit.thepresehe

uhreequartersofatrazesoverthefunnelsofa

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

thatthebestnes

orstriedtorateonthehetreofthepicture.

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baoosverahebridge.

nceiveapoetiception.inthesungdynasty,petitive

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

intheriodepainter,sickofpaintiy,ryto

theyreerthattheyarepaintingforfelloanbeingsandtheions

nsioninthebackground,aidpeepingout

birdsheboatsuggeststhattheboatanbeingswere

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

gunardli.theeseiressionistpainted,hoh

lltheiriy,theeseartistsarenotabletoprodufreaksto

selves,sin.

sinaryiortahegreatestpainsstbetakento

picturehisfeelingofsilenddesolationbydrawinga

...

therean,hoboogrovebyitsside,

includeandtoleaveout,resultingintheffunglingquality.

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

thereosphereofluxury

exanationsinpaintinguheierialbureauofpainting,his

peratesthroughachaagneglassthatrestsonaahathides

igination.anothersubjectgivenweiing:

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

all.andthispicturehehe

hepaintiionthatisteristic

theorythat”thenustpreaterial

andhiddeninthatgrove,onlyashopsignbearingtheter”no

picture,theirobjectistonveyaunifiedioo

goldenan.theiriressionissthereforeahuniressionisinpaintinga

suggest.buthebleofasaxophohatgically

atthedesertedferry,aboatdriftsacrossbyitself.

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

about.