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第100节(2/2)

gunardli.theeseiressionistpainted,hoh

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

suggest.buthebleofasaxophohatgically

all.andthispicturehehe

...

thereosphereofluxury

theorythat”thenustpreaterial

wasaline:

orstriedtorateonthehetreofthepicture.

nceiveapoetiception.inthesungdynasty,petitive

baoosverahebridge.

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

picturehisfeelingofsilenddesolationbydrawinga

birdsheboatsuggeststhattheboatanbeingswere

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

nsioninthebackground,aidpeepingout

theyreerthattheyarepaintingforfelloanbeingsandtheions

goldenan.theiriressionissthereforeahuniressionisinpaintinga

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

andhiddeninthatgrove,onlyashopsignbearingtheter”no

sinaryiortahegreatestpainsstbetakento

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

selves,sin.

lltheiriy,theeseartistsarenotabletoprodufreaksto

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buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

therean,hoboogrovebyitsside,

intheriodepainter,sickofpaintiy,ryto

exanationsinpaintinguheierialbureauofpainting,his

igination.anothersubjectgivenweiing:

atthedesertedferry,aboatdriftsacrossbyitself.

about.

hepaintiionthatisteristic

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

thatthebestnes

picture,theirobjectistonveyaunifiedioo

peratesthroughachaagneglassthatrestsonaahathides

birdrestingo,andanotheroneabouttoperit.thepresehe

uhreequartersofatrazesoverthefunnelsofa

includeandtoleaveout,resultingintheffunglingquality.

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